Clan of Xymox (also known as Xymox) blend an eclectic and vibrant mix of darkwave, synthpop, and gothic rock. From the Netherlands, Xymox was established in 1982 in Nijmegen by frontman Ronny Moorings and then live-in Anke Wolbert. Their first EP, "Subsequent Pleasures" added Pieter Nooten afterwards on keyboards and left a mark on an emerging Euro-wave market.
A chance meeting with Brendan Perry and Lisa Gerrard of Dead Can Dance led to an invitation to support that band on a UK tour, and then a recording contract with their record label, 4AD.
Their first two full length albums, self-titled "Clan of Xymox" and "Medusa", comfortably settled Xymox into their own niche of blooming melodics and smooth grey lyrical originality, with Ronny's songwriting coming as a fresh and very welcome abstract to the plastic and packaged synthpop of the late 80s. In 1989, Ronny saw a chance to evolve and left 4AD, releasing Twist of Shadows which proved to be their most complete and mature offering thusfar, and was their most successful yet.
With the next two albums, "Phoenix" and "Metamorphosis", fans were left with something of an out of body experience - as Xymox was sounding nothing like themselves. Metamorphosis was truly that however, its failure created a catalyst for Moorings to jump to yet another label, part ways with his bandmates, and pickup Mojca Zugna on bass. Zok records re-released "Metamorphosis" and a new EP - Headclouds. Moorings took a four year break (he worked on 2 CD-Rom games music projects of Domark ) to introspect and write, and gave fans the wondrous gift that is Hidden Faces, admittedly the logical followup to "Medusa".
After leaving Wing in the early nineties, Xymox became the sole signing to the independent label, Zok Records. They released four recordings, primarily in the dance genre: "Metamorphosis", "Headclouds", one remix CD, and they re-released "Subsequent Pleasures".
In 1997, the band reclaimed their original name, Clan of Xymox, and began the work of reclaiming their original sound and glory. "Hidden Faces", produced by Dave Allen (of Sisters fame) and John Rivers (of Love and Rockets note) hearkened back to the 4AD years, and although it did not completely regain the power of their initial sound ( not intended either), it was clearly the best work they had done since "Medusa". This release was followed by a number of American and European dates, including co-headlining the Zillo and Leipzig festivals in Germany. In relation to these intriguing live shows, Pandemonium records released two singles "Out of the Rain" and "This World" which rose to the top 10 in the German Independent Charts.
In 1999, Clan of Xymox signed on with Metropolis Records, and delivered "Creatures" to a public that had been waiting for the true follow-up to 1985's "Clan of Xymox" album for 14 years. "Creatures" not only captures the sound of their amazing debut (which has also been reissued in 1999 along with "Medusa"), but infuses it with the dark rock and Gothic guitar styles of such masterful bands as Andrew Eldritch's Sisters of Mercy.
2000 marked a first for the Clan of Xymox. After thousands of requests from fans for a live album, Clan of Xymox returned with "Live", a double live CD which featured nineteen tracks and two QuickTime videos. All of the tracks were recorded during their Central and South American tour in 1999, and could almost be considered a best of. A re-issue of the ever increasingly hard to find "Subsequent Pleasures" EP featuring many obscure pre-4AD demos, as well as a new single, "Liberty," followed.
Metropolis's second studio album by the Clan of Xymox was 2001's "Notes from the Underground." It combined haunting yet atmospheric synth lines with dark rhythms, powerful beats and lively guitar strumming to yield a release based on agony and anguish caused by being disconnected from society. A double remix CD was released the year after titled "Remixes from the Underground," featuring the mixing talents of Front 242, Beborn Beton, Iris, Assemblage23 and many more.
Clan of Xymox spent the two years following "Notes from the Underground" Combining elements from their past, present, and future, Clan of Xymox mix haunting and atmospheric synth lines with dark rhythms, powerful beats and lively guitar strumming to yield an album based on agony and anguish caused by being disconnected from society ( as described by musicfolio) to work on their next record, "Farewell," which was released in 2003. "Farewell" yielded club-friendly songs sitting comfortably along side moody atmospheric tracks to create a hybrid which can only remotely be described as Dark Goth Electro. The basic theme that runs through "Farewell" is about leaving everything behind and going away, which can be exhibited through the lyrics that tell the sad and bitter tales of love and relationships.
One year later, the band released their first 'best of' CD simply titled, "The Best of Clan of Xymox." In the words of Ronny Mo
